Baisha Naxi Embroidery Institute 
The Coments from famous arts critics

                                                          名家点评

你多年坚持不懈致力于东巴文化的现代光大,使人敬佩!你在作品中决不犹豫、十分自然地使用东巴传统的绘画语汇,又颇具匠心地组合在一起,传达了独特的内心律动。从而显示了独特的艺术风貌、品味和魅力。这是十分难能可贵的。即祈今后新作品中新境界、新高度灿然展现。

张世彦(中央美院教授)

现代化就一定西文化吗?现代化定与传统对立吗?中国画能走上现代化之路,又不失其民族性吗?当一切关于中国艺术的问题还在纠缠不清时,看张春和的当代东巴画,目为之炫。他的画具有丰富的想象力,每一幅潜藏着中国西南民族诡秘的精神文化神韵…………

张文中(香港著名艺术评论家)

张春和的东巴画源自中国纳西民族原始东巴宗教绘画,源自世界上至今还在使用,唯一还存活的东巴图画象形文字。其作品具有浪漫的色彩、神奇的造型和超然物外的宗教内涵,画风单纯,自由不羁。他力图表现的是宇宙的真实、人与自然的整合、现代与原始的沟通、天人交感和心灵与神灵的对应,同时再现生命过程中生死、真伪、善恶之间的轮回规迹……

鲁牛(作家、艺术评论家)

对自己的内心世界和感情的体验是张春和的东巴绘画的感人之处,与其说我们在其绘画中感觉到了由结构、色彩交织而成的寻既强烈又纯净的交响形式,不如说在他那变化的象形文字图式里,我们已依稀可见作者那无羁绊的遐想和心中特有的生命律动,以及对本民族文化所持有的真实。

张旭(北京东巴文化艺术发展促进会会长)

                                                     The Coments from famous arts critics

You deserve our respect for hauling dedicated yourself so to the cause of developing Dongba culture. With great stylistic precision your paintings proudly draw on the visual language of the rich Dongba heritage aptly expressing your innermost emotions. In my opinion the unique style, taste and character of your work mainly derives from a well-balanced blend of traditions and individuality.I therefore hope that future your creativity may attain new heights.

Zhang Shiyan(professor at the Central Academy of Fine Arts,Beijing,China)

Does’odernization’imply’westernization’? Is’modernity’contradictory to ‘tradition’. Is there a possibility that Chinese paintings progresses towards modernization without loose its unique ethnic flavor? Bothered by all those theoretic questions it is indeed a soothing pleasure to view Zhang Chunhe’s modern Dongba paintings.In his striking work he seems to combine elements straight our of early western Cubism and Fauvism.May the mysterious spirit of Southwest China’s Naxi culture with its intriguing pantheon of Dongba deities be present in all works, where East meets West in ways of unique charm……

Zhang Wenzhong(Hong Kong Art Critic)

Zhang Chunhe’s Dongba Paintings are deeply rooted in the ancient painting and pictographic tradition of Southwest China’s ethnic Naxi.Its archaic forms of style are mainly inspired by Dongba religion. One such example is the hieroglyphs remaining in the hieroglyphic writing system-actually the only living form of hieroglyphs remaining in the world. hang’s work reveals certain romantic teaits characterized by his choice of colors and simple, yet bold, compositions of our human world with the realm of the Dongba gods.The works dynamically articulate the universe,the union of nature and mankind and correspondence of the spiritual with the mystical realm,enable to enunciate the karmic conditioning of life:birth and death,reality and illusion,good and evil…….

LuNiu(Art Critic)

The human aptitude to examine ite own innermost world is a characteristic,prevalent throughout Zhang Chunhe’s work.It is this inquisitive mind which strikes the viewer.We can clearly perceive the strong and pure interaction of forms in his work,resulting primarily from a skillful method of interweaving strucrures with hues,Through his individualistic reshaping of the tradition Naxi pictographs the viewer can sense the painter’s strong,unrestrained free-running spirit and pulsating rhythm of life,a reflection on the age-old mystery of his people’s culture.

Zhang Xu(Chairperson of the Bejing Association of Dongba Culture and Arts)